So much goes into the making of the perfect Gail Ambrosius truffle. How would you describe your process and philosophy?
I believe the chocolate should be front and center, so I start with the chocolate and take my cues from there. For me, it’s about finding complementary or contrasting flavors rather than forcing some crazy idea. When I taste good, dark chocolate, it brings up a memory of something I’ve tasted. I dream about food—I smell and taste it in my dreams—so in a way the ideas just come to me. Then we taste, adjust, perfect and taste some more.
You studied the art of chocolate making in France. Tell us a little bit about how this sparked your imagination for fine flavor?
In France, food is central to the culture–it slows everyone down and brings them together. The French are really great cooks and it extends to their chocolate, which they treat with great respect and passion. Even the smallest villages have beautiful, well-supported chocolate shops and patisseries. The first time I tasted French chocolate, during a high-school trip, it was a revelation. The French use fine dark chocolate, it’s not as sweet as what most of us grew up with, and it’s a richer, more complex taste experience.
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